Dylan Thomas

1914 - 1953

The Thomas sense of language The Dylan Thomas grave at Laughorne

Thomas wrote one of his more famous poems, "Do Not Go Gentle into That Good Night" for his dying father

Do Not Go Gentle into That Good Night

Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.

Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night.

Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night.

Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.

And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
A process in the weather of the heart
by: Dylan Thomas
 
A process in the weather of the heart
Turns damp to dry; the golden shot
Storms in the freezing tomb.
A weather in the quarter of the veins
Turns night to day; blood in their suns
Lights up the living worm.

A process in the eye forwarns
the bones of blindness; and the womb
Drives in a death as life leaks out.

A darkness in the weather of the eye
Is half its light; the fathomed sea
Breaks on unangled land.
The seed that makes a forest of the loin
Forks half its fruit; and half drops down,
Slow in a sleeping wind.

A weather in the flesh and bone
Is damp and dry; the quick and dead
Move like two ghosts before the eye.

A process in the weather of the world
Turns ghost to ghost; each mothered child
Sits in their douible shade.
A process blows the moon into the sun,
Pulls down the shabby curtains of the skin;
And the heart gives up its dead.
Among Those Killed in the Dawn Raid was a Man Aged a Hundred
by: Dylan Thomas
 
When the morning was waking over the war
He put on his clothes and stepped out and he died,
The locks yawned loose and a blast blew them wide,
He dropped where he loved on the burst pavement stone
And the funeral grains of the slaughtered floor.
Tell his street on its back he stopped a sun
And the craters of his eyes grew springshots and fire
When all the keys shot from the locks, and rang.
Dig no more for the chains of his grey-haired heart.
The heavenly ambulance drawn by a wound
Assembling waits for the spade's ring on the cage.
O keep his bones away from the common cart,
The morning is flying on the wings of his age
And a hundred storks perch on the sun's right hand.
Before I Knocked
by: Dylan Thomas
 
Before I knocked and flesh let enter,
With liquid hands tapped on the womb,
I who was shapeless as the water
That shaped the Jordan near my home
Was brother to Mnetha’s daughter
And sister to the fathering worm.

I who was deaf to spring and summer,
Who knew not sun nor moon by name,
Felt thud beneath my flesh’s armour,
As yet was in a molten form,
The leaden stars, the rainy hammer
Swung by my father from his dome.

I knew the message of the winter,
The darted hail, the childish snow,
And the wind was my sister suitor;
Wind in me leaped, the hellborn dew;
My veins flowed with the Eastern weather;
Ungotten I knew night and day.

As yet ungotten, I did suffer;
The rack of dreams my lily bones
Did twist into a living cipher,
And flesh was snipped to cross the lines
Of gallow crosses on the liver
And brambles in the wringing brains.

My throat knew thirst before the structure
Of skin and vein around the well
Where words and water make a mixture
Unfailing till the blood runs foul;
My heart knew love, my belly hunger;
I smelt the maggot in my stool.

And time cast forth my mortal creature
To drift or drown upon the seas
Acquainted with the salt adventure
Of tides that never touch the shores.
I who was rich was made the richer
By sipping at the sine of days.

I, born of flesh and ghost, was neither
A ghost nor man, but mortal ghost.
And I was struck down by death’s feather.
I was a mortal to the last
Long breath that carried to my father
The message of his dying christ.

You who bow down at cross and altar,
Remember me and pity Him
Who took my flesh and bone for armour
And doublecrossed my mother’s womb.
Clown in the Moon
by: Dylan Thomas
 
My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.

I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.
Ears in the Turrets Hear
by: Dylan Thomas
 
Ears in the turrets hear
Hands grumble on the door,
Eyes in the gables see
The fingers at the locks.
Shall I unbolt or stay
Alone till the day I die
Unseen by stranger-eyes
In this white house?
Hands, hold you poison or grapes?

Beyond this island bound
By a thin sea of flesh
And a bone coast,
The land lies out of sound
And the hills out of mind.
No birds or flying fish
Disturbs this island’s rest.

Ears in this island hear
The wind pass like a fire,
Eyes in this island see
Ships anchor off the bay.
Shall I run to the ships
With the wind in my hair,
Or stay till the day I die
And welcome no sailor?
Ships, hold you poison or grapes?

Hands grumble on the door,
Ships anchor off the bay,
Rain beats the sand and slates.
Shall I let in the stranger,
Shall I welcome the sailor,
Or stay till the day I die?

Hands of the stranger and holds of the ships,
Hold you poison or grapes?
Especially when the October Wind
by: Dylan Thomas
 
Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.

Shut, too, in a tower of words, I mark
On the horizon walking like the trees
The wordy shapes of women, and the rows
Of the star-gestured children in the park.
Some let me make you of the vowelled beeches,
Some of the oaken voices, from the roots
Of many a thorny shire tell you notes,
Some let me make you of the water's speeches.

Behind a pot of ferns the wagging clock
Tells me the hour's word, the neural meaning
Flies on the shafted disk, declaims the morning
And tells the windy weather in the cock.
Some let me make you of the meadow's signs;
The signal grass that tells me all I know
Breaks with the wormy winter through the eye.
Some let me tell you of the raven's sins.

Especially when the October wind
(Some let me make you of autumnal spells,
The spider-tongued, and the loud hill of Wales)
With fists of turnips punishes the land,
Some let me make you of the heartless words.
The heart is drained that, spelling in the scurry
Of chemic blood, warned of the coming fury.
By the sea's side hear the dark-vowelled birds.
From Love's First Fever to Her Plague
by: Dylan Thomas
 
From love’s first fever to her plague, from the soft second
And the hollow minute of the womb,
From the unfolding to the scissored caul,
The time for breast and the green apron age
When no mouth stirred about the hanging famine,
All world was one, one windy nothing,
My world was christened in a stream of milk.
And earth and sky were as one airy light.

From the first print of the unshodden foot, the lifting
Hand, the breaking of the hair,
From the first secret of the heart, the warning ghost,
And to the first dumb wonder at the flesh,
Th sun was red, the moon was grey,
The earth and sky were as two mountains meeting.

The body prospered, teeth in the marrowed gums,
The growing bones, the rumour of manseed
Within the hallowed gland, blood blessed the heart,
And the four winds, that had long blown as one,
Shone in my ears the light of sound,
Called in my eyes the sound of light.
And yellow was the multiplying sand,
Each golden grain spat life into its fellow,
Green was the singing of the house.

The plum my mother picked matured slowly,
The boy she dropped from darkness at her side
Into the sided lap of light grew strong,
Was muscled, matted, wise to the crying thigh
And to the voice that, like a voice of hunger,
Itched in the noise of wind and sun.

And from the first declension of the flesh
I learnt man’s tongue, to twist the shapes of thoughts
To shade and knit anew the patch of words
Left by the dead who, in their moonless acre,
Need no word’s warmth.
The root of tongues ends in a spentout cancer,
That but a name, where maggots have their X.

I learnt the verbs of will, and had my secret;
The code of night tapped on my tongue;
What had been one was many sounding minded.

One womb, one mind, spewed out the matter,
One breast gave suck the fever’s issue;
From the divorcing sky I learnt the double,
The two-framed globe that spun into a score;
A million minds gave suck to such a bud
As forks my eye;
Youth did condense; the tears of spring
Dissolved in summer and the hundred seasons;
One sun, one manna, warmed and fed.
Holy Spring
by: Dylan Thomas
 
O
Out of a bed of love
When that immortal hospital made one more moove to soothe
The curless counted body,
And ruin and his causes
Over the barbed and shooting sea assumed an army
And swept into our wounds and houses,
I climb to greet the war in which I have no heart but only
That one dark I owe my light,
Call for confessor and wiser mirror but there is none
To glow after the god stoning night
And I am struck as lonely as a holy marker by the sun

No
Praise that the spring time is all
Gabriel and radiant shrubbery as the morning grows joyful
Out of the woebegone pyre
And the multitude's sultry tear turns cool on the weeping wall,
My arising prodgidal
Sun the father his quiver full of the infants of pure fire,
But blessed be hail and upheaval
That uncalm still it is sure alone to stand and sing
Alone in the husk of man's home
And the mother and toppling house of the holy spring,
If only for a last time.
I See the Boys of Summer
by: Dylan Thomas
 
I

I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
There in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.

These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
the signal moon is zero in their voids.

I see the summer children in their mothers
Split up the brawned womb’s weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they paint their dams
As sunlight paints the shelling of their heads.

I see that from these boys shall men of nothing
Stature by seedy shifting,
Or lame the air with leaping from its heats;
There from their hearts the dogdayed pulse
Of love and light bursts in their throats.
O see the pulse of summer in the ice.

II

But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars;
There in his night, the black-tongued bells
The sleepy man of winter pulls,
Nor blows back moon-and midnight as she blows.

We are the dark deniers, let us summon
Death from a summer woman,
A muscling life from lovers in their cramp,
From the fair dead who flush the sea
The bright-eyed worm on Davy’s lamp,
And from the planted womb the man of straw.

We summer boys in this four-winded spinning,
Green of the seaweeds’ iron,
Hold up the noisy sea and drop her birds,
Pick the world’s ball of wave and froth
To choke the deserts with her tides,
And comb the country gardens for a wreath.

In spring we cross our foreheads with the holly,
Heigh ho the blood and berry,
And nail the merry squires to the trees;
Here love’s damp muscle dries and dies,
Here break a kiss in no love’s quarry.
O see the poles of promise in the boys.

III

I see you boys of summer in your ruin.
Man in his maggot’s barren.
And boys are full and foreign in the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.
In My Craft or Sullen Art
by: Dylan Thomas
 
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms,
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.

Not for the proud man apart
From the raging moon I srite
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.
Lie Still, Sleep Becalmed
by: Dylan Thomas
 
Lie still, sleep becalmed, sufferer with the wound
In the throat, burning and turning. All night afloat
On the silent sea we have heard the sound
That came from the wound wrapped in the salt sheet.

Under the mile off moon we trembled listening
To the sea sound flowing like blood from the loud wound
And when the salt sheet broke in a storm of singing
The voices of all the drowned swam on the wind.

Open a pathway through the slow sad sail,
Throw wide to the wind the gates of the wandering boat
For my voyage to begin to the end of my wound,
We heard the sea sound sing, we saw the salt sheet tell.
Lie still, sleep becalmed, hide the mouth in the throat,
Or we shall obey, and ride with you through the drowned.
Love in the Asylum
by: Dylan Thomas
 
A stranger has come
To share my room in the house not right in the head,
A girl mad as birds

Bolting the night of the door with her arm her plume.
Strait in the mazed bed
She deludes the heaven-proof house with entering clouds

Yet she deludes with walking the nightmarish room,
At large as the dead,
Or rides the imagined oceans of the male wards.

She has come possessed
Who admits the delusive light through the bouncing wall,
Possessed by the skies

She sleeps in the narrow trough yet she walks the dust
Yet raves at her will
On the madhouse boards worn thin by my walking tears.

And taken by light in her arms at long and dear last
I may without fail
Suffer the first vision that set fire to the stars.
On a Wedding Anniversary
by: Dylan Thomas
 
The sky is torn across
This ragged anniversary of two
Who moved for three years in tune
Down the long walks of their vows.

Now their love lies a loss
And Love and his patients roar on a chain;
From every tune or crater
Carrying cloud, Death strikes their house.

Too late in the wrong rain
They come together whom their love parted:
The windows pour into their heart
And the doors burn in their brain.
Once it was in the Colour of Saying
by: Dylan Thomas
 
Once it was the colour of saying
Soaked my table the uglier side of a hill
With a capsized field where a school sat still
And a black and white patch of girls grew playing;
The gentle seaslides of saying I must undo
That all the charmingly drowned arise to cockcrow and kill.
When I whistled with mitching boys through a reservoir park
Where at night we stoned the cold and cuckoo
Lovers in the dirt of their leafy beds,
The shade of their trees was a word of many shades
And a lamp of lightning for the poor in the dark;
Now my saying shall be my undoing,
And every stone I wind off like a reel.
The Force That Through The Green Fuse Drives The Flower
by: Dylan Thomas
 
The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman's lime.

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather's wind
How time has ticked a heaven round the stars.

And I am dumb to tell the lover's tomb
How at my sheet goes the same crooked worm.
Then was my Neophyte
by: Dylan Thomas
 
Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.

Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities’ sails
Furled on the fishes’ house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.

He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children’s parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love’s image till my heartbone breaks
By a dramatic sea.

Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
‘Who could snap off the shapeless print
From your to-morrow-treading shade
With oracle for eye?’
Time kills me terribly.
‘Time shall not murder you,’ He said,
‘Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?’
I saw time murder me.
When once the twilight locks no longer
by: Dylan Thomas
 
When once the twilight locks no longer
Locked in the long worm of my finger
Nor damned the sea that sped about my fist,
The mouth of time sucked, like a sponge,
The milky acid on each hinge,
And swallowed dry the waters of the breast.

When galactic sea was sucked
And all the dry seabed unlocked,
I sent my creature scouting on the globe,
That globe itself of hair and bone
That, sewn to me by nerve and brain,
Had stringed my flask of matter to his rib.

My fuses timed to charge his heart,
He blew like powder to the light
And held a little sabbath with the sun,
But when the stars, assuming shape,
Drew in his eyes the straws of sleep,
He drowned his father’s magics in a dream.

All issue armoured, of the grave,
The redhaired cancer still alive,
The cataracted eyes that filmed their cloth;
Some dead undid their bushy jaws,
And bags of blood let out their flies;
He had by heart the Christ-cross-row of death.

Sleep navigates the tides of time;
The dry Sargasso of the tomb
Gives up its dead to such a working sea;
And sleep rolls mute above the beds
Where fishes’ food is fed the shades
Who periscope through flowers to the sky.

When once the twilight screws were turned,
And mother milk was stiff as sand,
I sent my own ambassador to light;
By trick or chance he fell asleep
And conjured up a carcass shape
To rob me of my fluids in his heart.

Awake, my sleeper, to the sun,
A worker in the morning town,
And leave the poppied pickthank where he lies;
The fences of the light are down,
All but the brisket riders thrown,
And worlds hang on the trees.
Where Once the Waters of your Face
by: Dylan Thomas
 
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.

Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.

Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love’s left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.

Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds,
There shall be serpents in your tides,
Till all our sea-faiths die.
All All and All the Dry Worlds Lever
by: Dylan Thomas
 
I

All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower,
Turns in the earth that turns the ashen
Towns around on a wheel of fire.

How now my flesh, my naked fellow,
Dug of the sea, the glanded morrow,
Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover,
Skinny as sin, the foaming marrow,
All of the flesh, the dry worlds lever.


II

Fear not the waking world, my mortal,
Fear not the flat, synthetic blood,
Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling,
The trigger and scythe, the bridal blade,
Nor the flint in the lover's mauling.

Man of my flesh, the jawbone riven,
Know now the flesh's lock and vice,
And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever,
Fear not the screws that turn the voice,
And the face to the driven lover.


III

All all and all the dry worlds couple,
Ghost with her ghost, contagious man
With the womb of his shapeless people.
All that shapes from the caul and suckle,
Stroke of mechanical flesh on mine,
Square in these worlds the mortal circle.

Flower, flower the people's fusion,
O light in zenith, the coupled bud,
And the flame in the flesh's vision.
Out of the sea, the drive of oil,
Socket and grave, the brassy blood,
Flower, flower, all all and all.
And Death Shall Have No Dominion
by: Dylan Thomas		 And Death Shall Have No Dominion
by: Dylan Thomas
   
And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan't crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.		 E la morte non avrà più dominio.
I morti nudi saranno una cosa
Con l'uomo nel vento e la luna d'occidente;
Quando le loro ossa saranno spolpate e le ossa pulite scomparse,
Ai gomiti e ai piedi avranno stelle;
Benché impazziscano saranno sani di mente,
Benché sprofondino in mare risaliranno a galla,
Benché gli amanti si perdano l'amore sarà salvo;
E la morte non avrà più dominio.

E la morte non avrà più dominio.
Sotto i meandri del mare
Giacendo a lungo non moriranno nel vento;
Sui cavalletti contorcendosi mentre i tendini cedono,
Cinghiati ad una ruota, non si spezzeranno;
Si spaccherà la fede in quelle mani
E l'unicorno del peccato li passerà da parte a parte;
Scheggiati da ogni lato non si schianteranno;
E la morte non avrà più dominio.

E la morte non avrà più dominio.
Più non potranno i gabbiani gridare ai loro orecchi,
Le onde rompersi urlanti sulle rive del mare;
Dove un fiore spuntò non potrà un fiore
Mai più sfidare i colpi della pioggia;
Ma benché pazzi e morti stecchiti,
Le teste di quei tali martelleranno dalle margherite;
Irromperanno al sole fino a che il sole precipiterà;
E la morte non avrà più dominio.
   
And death shall have no dominion is a poem written by Welsh poet Dylan Thomas (1914-1953). On September 10, 1936, two years after the release of his first volume of poetry, Twenty-five Poems was published. Twenty-five Poems revealed Thomas’ personal philosophies pertaining to religion and the forces of nature. Included in this introspective volume of work is And Death Shall Have No Dominion. The poem has also been recorded as being published in the New English Weekly in March of 1933. It has gained vast recognition, being incorporated in current schooling and feature films (Solaris, The Weight of Water).

Listen to this poesy http://www.undermilkwood.net/poetry_dominion.html

Child's Christmas in Wales
by: Dylan Thomas
 
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the
voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or
whether it snowed for twelve days and twelve nights when I was six.




All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street; and they stop
at the rim of the ice-edged fish-freezing waves, and I plunge my hands in the snow and bring out whatever I can find. In goes my hand into that
wool-white bell-tongued ball of holidays resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her son Jim. It was snowing. It was always
snowing at Christmas. December, in my memory, is white as Lapland, though there were no reindeers. But there were cats. Patient, cold and callous,
our hands wrapped in socks, we waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they would
slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and moccasined trappers from Hudson Bay, off
Mumbles Road, would hurl our deadly snowballs at the green of their eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever since Wednesday - that we never heard
Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or, if we heard it at all, it was, to us, like the far-off challenge of our enemy and
prey, the neighbor's polar cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring out of the dining-room, and the
gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier in Pompeii. This was better than all the cats in Wales standing on
the wall in a row. We bounded into the house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a newspaper over his face. But he
was standing in the middle of the room, saying, "A fine Christmas!" and smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his slipper as though he were
conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and ran out of the house to the
telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose into the house and Mr. Prothero got
out just in time before they turned it on. Nobody could have had a noisier Christmas Eve. And when the firemen turned off the hose and were
standing in the wet, smoky room, Jim's Aunt, Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what
she would say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets, standing among the smoke and
cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel petticoats whisked past the harp-shaped
hills, when we sang and wallowed all night and day in caves that smelt like Sunday afternoons in damp front farmhouse parlors, and we chased,
with the jawbones of deacons, the English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills bareback, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I made a snowman and my brother
knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it came shawling out of the
ground and swam and drifted out of the arms and hands and bodies of the trees; snow grew overnight on the roofs of the houses like a pure and
grandfather moss, minutely -ivied the walls and settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas
cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and mittened on them manfully. But all that
the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings over the bandaged town, over the
frozen foam of the powder and ice-cream hills, over the crackling sea. It seemed that all the churches boomed for joy under my window; and the
weathercocks crew for Christmas, on our fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making ghosts with their breath, and jogged
from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled down the tea-tray-slithered run of
the chilly glinting hill. He went in his ice-bound boots like a man on fishmonger's slabs.
"He wagged his bag like a frozen camel's hump, dizzily turned the corner on one foot, and, by God, he was gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths; zebra scarfs of a substance like silky
gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-shanters like patchwork tea cozies and bunny-suited busbies and balaclavas
for victims of head-shrinking tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now, alas, no longer whinnying with us. And
pictureless books in which small boys, though warned with quotations not to, would skate on Farmer Giles' pond and did and drowned; and books
that told me everything about the wasp, except why."




"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and a machine that punched tickets and
rang a bell; never a catapult; once, by mistake that no one could explain, a little hatchet; and a celluloid duck that made, when you pressed it, a most
unducklike sound, a mewing moo that an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass,
the trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the red field under the rainbow-billed and
pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches, cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And
troops of bright tin soldiers who, if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games
for Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to wake up the old man next door to
make him beat on the wall with his stick to shake our picture off the wall. And a packet of cigarettes: you put one in your mouth and you stood at
the corner of the street and you waited for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle and sugar fags, I would scour
the swatched town for the news of the little world, and find always a dead bird by the Post Office or by the white deserted swings; perhaps a robin,
all but one of his fires out. Men and women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos,
huddles their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all the front parlors; there was sherry
and walnuts and bottled beer and crackers by the dessertspoons; and cats in their fur-abouts watched the fires; and the high-heaped fire spat, all
ready for the chestnuts and the mulling pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then holding them out again as though
waiting for the explosion; and some few small aunts, not wanted in the kitchen, nor anywhere else for that matter, sat on the very edge of their
chairs, poised and brittle, afraid to break, like faded cups and saucers."



Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this time of year, with spats of snow,
would take his constitutional to the white bowling green and back, as he would take it wet or fire on Christmas Day or Doomsday; sometimes two
hale young men, with big pipes blazing, no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an
appetite, to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling smoke clouds of their
inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the dinners of others, the bird smell, the brandy, the pudding and
mince, coiling up to my nostrils, when out of a snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the
violet past of a black eye, cocky as a bullfinch, leering all to himself.



I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face of Christmas when suddenly he,
with a violet wink, put his whistle to his lips and blew so stridently, so high, so exquisitely loud, that gobbling faces, their cheeks bulged with goose,
would press against their tinsled windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch chains, groaned a little and slept. Mothers,
aunts and sisters scuttled to and fro, bearing tureens. Auntie Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at
the sideboard and had some elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port, stood
in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to see how big they would blow up to;
and, when they burst, which they all did, the Uncles jumped and rumbled. In the rich and heavy afternoon, the Uncles breathing like dolphins and
the snow descending, I would sit among festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the
Instructions for Little Engineers, and produce what might be mistaken for a sea-going tramcar.




Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim and Dan and Jack and to pad through
the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr. Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills, and vast dewlapped dogs, with flasks
round their necks, ambled and shambled up to us, baying "Excelsior." We returned home through the poor streets where only a few children
fumbled with bare red fingers in the wheel-rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the
dock birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly; and the ice cake loomed in the
center of the table like a marble grave. Auntie Hannah laced her tea with rum, because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like owls in the long nights when I dared not
look over my shoulder; animals lurked in the cubbyhole under the stairs and the gas meter ticked. And I remember that we went singing carols
once, when there wasn't the shaving of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand in case, and all of us too brave to say a
word. The wind through the trees made noises as of old and unpleasant and maybe webfooted men wheezing in caves. We reached the black bulk
of the house. "What shall we give them? Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high and seemingly distant in the
snow-felted darkness round the house that was occupied by nobody we knew. We stood close together, near the dark door. Good King Wencelas
looked out On the Feast of Stephen ... And then a small, dry voice, like the voice of someone who has not spoken for a long time, joined our
singing: a small, dry, eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped running we were
outside our house; the front room was lovely; balloons floated under the hot-water-bottle-gulping gas; everything was good again and shone over
the town.
"Perhaps it was a ghost," Jim said. "
Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another uncle sang "Drake's Drum." It
was very warm in the little house. Auntie Hannah, who had got on to the parsnip wine, sang a song about Bleeding Hearts and Death, and then
another in which she said her heart was like a Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my
bedroom window, out into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other houses on
our hill and hear the music rising from them up the long, steady falling night. I turned the gas down, I got into bed. I said some words to the close
and holy darkness, and then I slept.
Do Not Go Gentle into that Good Night
by: Dylan Thomas
 
Old age should burn and rave at close of day;

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Elegy
by: Dylan Thomas
 
Too proud to die; broken and blind he died
The darkest way, and did not turn away,
A cold kind man brave in his narrow pride

On that darkest day, Oh, forever may
He lie lightly, at last, on the last, crossed
Hill, under the grass, in love, and there grow

Young among the long flocks, and never lie lost
Or still all the numberless days of his death, though
Above all he longed for his mother's breast

Which was rest and dust, and in the kind ground
The darkest justice of death, blind and unblessed.
Let him find no rest but be fathered and found,

I prayed in the crouching room, by his blind bed,
In the muted house, one minute before
Noon, and night, and light. the rivers of the dead

Veined his poor hand I held, and I saw
Through his unseeing eyes to the roots of the sea.
(An old tormented man three-quarters blind,

I am not too proud to cry that He and he
Will never never go out of my mind.
All his bones crying, and poor in all but pain,

Being innocent, he dreaded that he died
Hating his God, but what he was was plain:
An old kind man brave in his burning pride.

The sticks of the house were his; his books he owned.
Even as a baby he had never cried;
Nor did he now, save to his secret wound.

Out of his eyes I saw the last light glide.
Here among the liught of the lording sky
An old man is with me where I go

Walking in the meadows of his son's eye
On whom a world of ills came down like snow.
He cried as he died, fearing at last the spheres'

Last sound, the world going out without a breath:
Too proud to cry, too frail to check the tears,
And caught between two nights, blindness and death.

O deepest wound of all that he should die
On that darkest day. oh, he could hide
The tears out of his eyes, too proud to cry.

Until I die he will not leave my side)
Fern Hill
by: Dylan Thomas
 
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
Hold Hard, These Ancient Minutes in the Cuckoo's Mouth
by: Dylan Thomas
 
Hold hard, these ancient minutes in the cuckoo's month,
Under the lank, fourth folly on Glamorgan's hill,
As the green blooms ride upward, to the drive of time;
Time, in a folly's rider, like a county man
Over the vault of ridings with his hound at heel,
Drives forth my men, my children, from the hanging south.

Country, your sport is summer, and December's pools
By crane and water-tower by the seedy trees
Lie this fifth month unstaked, and the birds have flown;
Holy hard, my country children in the world if tales,
The greenwood dying as the deer fall in their tracks,
The first and steepled season, to the summer's game.

And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly's hunter and the hard-held hope.

Down fall four padding weathers on the scarlet lands,
Stalking my children's faces with a tail of blood,
Time, in a rider rising, from the harnessed valley;
Hold hard, my country darlings, for a hawk descends,
Golden Glamorgan straightens, to the falling birds.
Your sport is summer as the spring runs angrily.
I Fellowed Sleep
by: Dylan Thomas
 
I fellowed sleep who kissed me in the brain,
Let fall the tear of time; the sleeper’s eye,
Shifting to light, turned on me like a moon.
So, planing-heeled, I flew along my man
And dropped on dreaming and the upward sky.

I fled the earth and, naked, climbed the weather,
Reaching a second ground far from the stars;
And there we wept, I and a ghostly other,
My mothers-eyed, upon the tops of trees;
I fled that ground as lightly as a feather.

‘My fathers’ globe knocks on its nave and sings.’
‘This that we tread was, too, your fathers’ land.’
‘But we tread bears the angelic gangs,
Sweet are their fathered faces in their wings.
‘These are but dreaming men. Breathe, and they fade.’

Faded my elbow ghost, the mothers-eyed,
As, blowing on the angels, I was lost
On that cloud coast to each grave-grabbing shade;
I blew the dreaming fellows to their bed
Where still they sleep unknowing of their ghost.

Then all the matter of the living air
Raised up a voice, and, climbing on the words,
I spelt my vision with a hand and hair,
How light the sleeping on this soily star,
How deep the waking in the worlded clouds.

There grows the hours’ ladder to the sun,
Each rung a love or losing to the last,
The inches monkeyed by the blood of man.
An old, mad man still climbing in his ghost,
My fathers’ ghost is climbing in the rain.
If I Were Tickled by the Rub of Love
by: Dylan Thomas
 
If I were tickled by the rub of love,
A rooking girl who stole me for her side,
Broke through her straws, breaking my bandaged string,
If the red tickle as the cattle calve
Still set to scratch a laughter from my lung,
I would not fear the apple nor the flood
Nor the bad blood of spring.

Shall it be male or female? say the cells,
And drop the plum like fire from the flesh.
If I were tickled by the hatching hair,
The winging bone that sprouted in the heels,
The itch of man upon the baby’s thigh,
I would not fear the gallows nor the axe
Nor the crossed sticks of war.

Shall it be male or female? say the fingers
That chalk the walls with green girls and their men.
I would not fear the muscling-in of love
If I were tickled by the urchin hungers
Rehearsing heat upon a raw-edged nerve.
I would not fear the devil in the loin
Nor the outspoken grave.

If I were tickled by the lovers’ rub
That wipes away nor crow’s-foot nor the lock
Of sick old manhood on the fallen jaws,
Time and the crabs and the sweethearting crib
Would leave me cold as butter for the flies,
The sea of scums could drown me as it broke
Dead on the sweethearts’ toes.

This world is half the devil’s and my own,
Daft with the drug that’s smoking in a girl
And curling round the bud that forks her eye.
An old man’s shank one-marrowed with my bone,
And all the herrings smelling in the sea,
I sit and watch the worm beneath my nail
Wearing the quick away.

And that’s the rub, the only rub that tickles.
The knobbly ape that swings along his sex
From damp love-darkness and the nurse’s twist
Can ever raise the midnight of a chuckle,
Nor when he finds a beauty in the breast
Of lover, mother, lovers, or his six
Feet in the rubbing dust.

And what’s the rub? Death’s feather on the nerve?
Your mouth, my love, the thistle in the kiss?
My Jack of Christ, born thorny on the tree?
The words of death are dryer that his stiff,
My wordy wounds are printed with your hair.
I would be tickled by the rub that is:
Man be my metaphor.
In the Beginning
by: Dylan Thomas
 
In the beginning was the three-pointed star,
One smile of light across the empty face;
One bough of bone across the rooting air,
The substance forked that marrowed the first sun;
And, burning ciphers on the round of space,
Heaven and hell mixed as they spun.

In the beginning was the pale signature,
Three-syllabled and starry as the smile;
And after came the imprints on the water,
Stamp of the minted face upon the moon’
The blood that touched the crosstree and the grail
Touched the first cloud and left a sign.

In the beginning was the mounting fire
That set alight the weathers from a spark,
A three-eyed, red-eyed spark, blunt as a flower;
Life rose and spuoted from the rolling seas,
Burst in the roots, pumped from the earth and rock
The secret oils that drive the grass.

In the beginning was the word, the word
That from the solid bases of the light
Abstracted all the letters of the void;
And from the cloudy bases of the breath
The word flowed up, translating to the heart
First the characters of birth and death.

In the beginning was the secret brain.
The brain was celled and soldered in the thought
Before the pitch was forking to a sun;
Before the veins were shaking in their seive,
Blood shot and scattered to the winds of light
The ribbed original of love.
Light Breaks Where No Sun Shines
by: Dylan Thomas
 
Light breaks where no sun shines;
Where no sea runs, the waters of the heart
Push in their tides;
And, broken ghosts with glow-worms in their heads,
The things of light
File through the flesh where no flesh decks the bones.

A candle in the thighs
Warms youth and seed and burns the seeds of age;
Where no seed stirs,
The fruit of man unwrinkles in the stars,
Bright as a fig;
Where no wax is, the candle shows its hairs.

Dawn breaks behind the eyes;
From poles of skull and toe the windy blood
Slides like a sea;
Nor fenced, nor staked, the gushers of the sky
Spout to the rod
Divining in a smile the oil of tears.

Night in the sockets rounds,
Like some pitch moon, the limit of the globes;
Day lights the bone;
Where no cold is, the skinning gales unpin
The winter’s robes;
The film of spring is hanging from the lids.

Light breaks on secret lots,
On tips of thought where thoughts smell in the rain;
When logics die,
The secret of the soil grows through the eye,
And blood jumps in the sun;
Above the waste allotments the dawn halts.
My Hero Bares His Nerves
by: Dylan Thomas
 
My hero bares his nerves along my wrist
That rules form wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.

And these poor nerves so wired to the skull
Ache on the lovelorn paper
i hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.

My hero bares my side and sees his heart
Tread, like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.

He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger’s emperor;
He pulls the chain, the cistern moves.
Now
by: Dylan Thomas
 
Now
Say nay,
Man dry man,
Dry lover mine
The deadrock base and blow the flowered anchor,
Should he, for centre sake, hop in the dust,
Forsake, the fool, the hardiness of anger.

Now
Say nay,
Sir no say,
Death to the yes,
the yes to death, the yesman and the answer,
Should he who split his children with a cure
Have brotherless his sister on the handsaw.

Now
Say nay,
No say sir
Yea the dead stir,
And this, nor this, is shade, the landed crow,
He lying low with ruin in his ear,
The cockrel's tide upcasting from the fire.

Now
Say nay,
So star fall,
So the ball fail,
So solve the mystic sun, the wife of light,
The sun that leaps on petals through a nought,
the come-a-cropper rider of the flower.

Now
Say nay
A fig for
The seal of fire,
Death hairy-heeled and the tapped ghost in wood,
We make me mystic as the arm of air,
The two-a-vein, the foreskin, and the cloud.
On No Work of Words
by: Dylan Thomas
 
On no work of words now for three lean months in the
bloody
Belly of the rich year and the big purse of my body
I bitterly take to task my poverty and craft:

To take to give is all, return what is hungrily given
Puffing the pounds of manna up through the dew to heaven,
The lovely gift of the gab bangs back on a blind shaft.

To lift to leave from treasures of man is pleasing death
That will rake at last all currencies of the marked breath
And count the taken, forsaken mysteries in a bad dark.

To surrender now is to pay the expensive ogre twice.
Ancient woods of my blood, dash down to the nut of the seas
If I take to burn or return this world which is each man's.
Our Eunuch Dreams
by: Dylan Thomas
 
I

Our eunuch dreams, all seedless in the light,
Of light and love, the tempers of the heart,
Whack their boy’s limbs,
And, winding-footed in their shawl and sheet,
Groom the dark brides, the widows of the night
Fold in their arms.

The shades of girls, all flavoured from their shrouds,
When sunlight goes are sundered from the worm,
The bones of men, the broken in their beds,
By midnight pulleys that unhouse the tomb.

II

In this age the gunman nad his moll,
Two one-dimensional ghosts, love on a reel,
Strange to our solid eye,
And speak their midnight nothings as they swell;
When cameras shut they hurry to their hole
Down in the yard of day.

They dance between their arclamps and our skull,
Impose their shots, showing the nights away;
We watch the show of shadows kiss or kill,
Flavoured of celluloid give love the lie.

III

Which is the world? Of our two sleepings, which
Shall fall awake when cures and their itch
Raise up this red-eyed earth?
Pack off the shapes of daylight and their starch,
The sunny gentlemen, the Welshing rich,
Or the drive the night-geared forth.

The photograph is married to the eye,
Grafts on its bride one-sided skins of truth;
The dream has sucked the sleeper of his faith
That shrouded men might marrow as they fly.

IV

This is the world: the lying likeness of
Our strips of stuff that tatter as we move
Loving and being loth;
The dream that kicks the buried from their sack
And lets their trash be honoured as the quick.
This is the world. Have faith.

For we shall be a shouter like the cock,
Blowing the old dead back; our shots shall smack
The image from the plates;
And we shall be fit fellows for a life,
And who remain shall flower as they love,
Praise to our faring hearts.
Sometimes the Sky's Too Bright
by: Dylan Thomas
 
Sometimes the sky's too bright,
Or has too many clouds or birds,
And far away's too sharp a sun
To nourish thinking of him.
Why is my hand too blunt
To cut in front of me
My horrid images for me,
Of over-fruitful smiles,
The weightless touching of the lip
I wish to know
I cannot lift, but can,
The creature with the angel's face
Who tells me hurt,
And sees my body go
Down into misery?
No stopping. Put the smile
Where tears have come to dry.
The angel's hurt is left;
His telling burns.

Sometimes a woman's heart has salt,
Or too much blood;
I tear her breast,
And see the blood is mine,
Flowing from her, but mine,
And then I think
Perhaps the sky's too bright;
And watch my hand,
But do not follow it,
And feel the pain it gives,
But do not ache.
The Hand that Signed the Paper Felled a City
by: Dylan Thomas
 
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.

The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.

The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand the holds dominion over
Man by a scribbled name.

The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
Was there a Time
by: Dylan Thomas
 
Was there a time when dancers with their fiddles
In children's circuses coul stay their troubles?
There was a time they could cry over books,
But time has set its maggot on their track.
Under the arc of the sky they are unsafe.
What's never known is safest in this life.
Under the skysigns they who have no arms
Have cleanest hands, and, as the heartless ghost
Alone's unhurt, so the blind man sees best.
When, Like a Running Grave
by: Dylan Thomas
 
When, like a running grave, time tracks you down,
Your calm and cuddled is a scythe of hairs,
Love in her gear is slowly through the house,
Up naked stairs, a turtle in a hearse,
Hauled to the dome,

Comes, like a scissors stalking, tailor age,
Deliver me who, timid in my tribe,
Of love am barer than Cadaver’s trap
Robbed of the foxy tongue, his footed tape
Of the bone inch,

Deliver me, my masters, head and heart,
Heart of Cadaver’s candle waxes thin,
When blood, spade-handed, and the logic time
Drive children up like bruises to the thumb,
From maid and head,

For, sunday faced, with dusters in my glove,
Chaste and the chaser, man with the cockshut eye,
I, that time’sjacket or the coat of ice
May fail to fasten with virgin o
In the straight grave,

Stride through Cadaver’s country in my force,
My pickbrain masters morsing on the stone
Despair of blood, faith in the maiden’s slime,
Halt among eunuchs, and the nitric stain
On fork and face.

Time is a foolish fancy, time and fool.
No, no, you lover skull, descending hammer
Descends, my masters, on the entered honour.
You hero skull, Cadaver in the hanger
Tells the stick, ‘fail’.

Joy is no knocking nation, sir and madam,
The cancer’s fusion, or the summer feather
Lit on the cuddled tree, the cross of fever,
Nor city tar and subway bored to foster
man through macadam.

I damp the waxlights in your tower dome.
Joy is the knock of dust, Cadaver’s shoot
Of bud of Adam through his boxy shift,
Love’s twilit nation and the skull of state,
Sir, is your doom.

Everything ends, the tower ending and,
(Have with the house of wind), the leaning scene,
Ball of the foot depending from the sun,
(Give, summer, over), the cemented skin,
The actions’ end.

All, men my madmen, the unwholesome sind
With whistler’s cough contages, time on track
Shapes in a cinder death; love his trick,
Happy Cadaver’s hunger as you take
The kissproof world.

Some useful sites -

http://www.dylanthomas.com/ Official Web site
http://www.swansea.gov.uk/index.cfm?articleid=1613
http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=7091 (listen to poems)
http://town.hall.org/radio/HarperAudio/020894_harp_ITH.html (listen to the poetry of Dylan Thomas)

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